Well I have a blank pillow case and embroidery thread. What to do?
I made a porcelain soda fired vase that someone embroidered for me and I decided to make an alteration to it. I felt it needed a clearly defined separation between the thread and clay. I essentially started framing the space with a darker thread. You may have noticed that frames play an important
role in most of my maiolica. Now I have decided to try and embroider imagery similar to the imagery I use on some of my ceramics. Hopefully it works out but I’m not too concerned. The pillow case was poorly made and seems to be falling apart at the seem in one section. So here is an early pic as I have just recently started it. This could be an interesting chance to reinterpret a ceramic tile with textiles.
The Gardiner museum maiolica collection of is worth visiting. Here are some pill-tiles from England they have the Latin motto OPIFER:QUE:PER:ORBEM:DICOR (“I am spoken of all over the world as one who brings help.”) source. Objects used…
in Apothecaries have a rich maiolica tradition that leads back to the development of maiolica. The Apothecary jar is the most commonly known object. They are often decorated with elaborate pattens and imagery. Here is a sneak peek of some Italian renaissance maiolica apothecary jars.
Here is a common English delft variation of the apothecary jar. Northern European jar forms varied from Persian and Southern European apothecary jars. The forms of Northern European jars often had softer, rounded forms. Personally I prefer the drawing of the images of Italian maiolica but prefer the use of negative space in many of the English jars. But I have been distracted by apothecary jars and should be focused on tiles.
English Delftware has an interesting quality or some would consider a lack of quality. The forms are often well developed and constructed but the decoration is lacking in comparison to other regions of the same time period. The work was often made by potters imported form Holland but I often feel like they were decoraters who couldn’t remain employed in Holland. This isn’t true for all the pieces I have seen and the Gardiner museum is good example of the wide range of styles found in England during the 17th to 18th century. Here is a good example of what I am talking about. It’s a decorative style that would probably be more effective within English the slip decoration tradition. The use of maiolica may be to divorced from the English ceramics tradition of this time period. And of course of great interest are the Unicorns found in the first two images.
So the other day I posted a little video clip. I wasn’t completely honest about it. It was related to clay, that squirrel was on a tree behind me when I was digging up the clay. I think it was worried that I was looking for its food. I would like to apologize for the poor quality of the video and to the squirrel. This is clip of the find, just another obscure ceramic moment. Here are some pics of maiolica pieces I made 2008-2009.
I had a chance to visit my Oma today. I haven’t had as many opportunities to visit my Oma as much as I would like over the past few years. It’s always fun to look at pictures and objects she has collected and to hear the stories that surround them. After my Oma and Opa were married they moved from Heidelberg to Borkum shortly before moving to Canada. For fun I have included driving directions to Delft in the Netherlands. If you for want to check out any of their
ceramics. I’ve heard some people have liked it. So this set would have been purchased in the mid fifties. I wonder if they are still being sold now in any gift shops. I think they are fun, well they are maiolica how can you not like them. It’s a slightly translucent glaze on a coarse red body. I like the brush work and simple bird motif. The forms are thin and very delicate. I would probably prefer to serve coffee in the cups though.What do you think?
cup with saucer
saucer on its side
I also found this little object in the dining room…
and this vase in the living room. I’ve never seen a maiolica vase like this before. Though there are many types of ceramics that I am unfamiliar with. I’ve seen this vase since childhood but today is the first day that I realized it was maoilica glaze on a buff earthenware clay. I first thought it was copper brushwork on a white slip under a clear glaze. But when I picked it up I realized the glaze was opacified and the copper was painted in the glaze. Something about it bothers me though.